Clare Gemima interviews Marcel Alcalá for Widewalls.

Artist Marcel Alcalá joins Rail contributor Ksenia M. Soboleva for a conversation on Tuesday, April 16.

Elizabeth Buhe reviews Teruko Yokoi for The Brooklyn Rail. 

NEW YORK, NY, April 4, 2024 — The Board of Trustees of Marlborough Gallery, the enterprise that helped define the international landscape of post-war art by establishing itself on two continents and showcasing dozens of the contemporary era’s most influential artists, today announced that it is bringing the institution’s 78-year history to its culmination, winding down operations at the galleries in New York City, London, Madrid, and Barcelona. 

Teruko Yokoi at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

The exhibition Equal Forces: The Sculpture and Photography of Kenneth Snelson is currently on view at Raclin Murphy Museum of Art. The first museum exhibition since Snelson’s death in 2016, Equal Forces celebrates a legacy gift from the artist’s family containing 43 sculptures and 67 photographs. 

Tim Brinkhof writes about Nightlife, a group exhibition featuring works by Berenice Abbot, Brassaï, Bill Brandt, Weegee, Helmut Newton, and Irving Penn, for Artnet News.

Eduardo Arroyo, one of the key figures of Spanish contemporary art, is the protagonist of the Fundación Bancaja exhibition, which will open its doors to the public on February 23. Composed of more than 80 works, it will be one of the reference retrospectives in the exhibition of the international artist and the first to be held in Spain after his death in 2018.

David Ebony's snapSHOT of the art world has named Michele Oka Doner: The Book of Enchantment a Top 10 for the winter 2024 season. 

Michele Oka Doner: The Book of Enchantment has been named a GalleriesNow Weekender “Must See” exhibition.

This lecture by Laura Anderson Barbata in the AUDITORIUM will feature a panel conversation with Madeline Murphy Turner, moderated by art historian and cultural theorist Mara Polgovsky Ezcurra.

Michele Oka Doner will participate in the Evening Lecture Series of the New York Studio School which is free and open to the public. The lecture will take place on Tuesday March 26th, 2024.

The Visual Arts Center of New Jersey announces the exhibition Le’Andra LeSeur and Anna Parisi: Bearing Witness. The show examines the act of bearing witness to oppressive and debilitating systems, particularly those faced by women of color. Le’Andra LeSeur and Anna Parisi: Bearing Witness will be on view at the Mitzi and Warren Eisenberg Gallery of the Visual Arts Center of New Jersey from February 23 to May 24. 

Art Omi plans new $60 million destination in Columbia County. Different artists and collectors, collaborating with architects of their choice, will design the buildings, or pavilions, to house long-term, “legacy” collections. Artist Alice Aycock is working with architecture studio Jahn on a pavilion that draws inspiration from metal agricultural structures. The joint pavilion for artists Rakuko Naito and the late Tadaaki Kuwayama is being designed by one of their children, the architect Maki Kuwayama.

The Parrish Museum will host Artists Choose Parrish, with a reception and conversation by artists Alice Aycock and Amy Oppenheim, as they discuss their connections with Dennis Oppenheim—whose work is on view in Artists Choose Parrish, Part II.

James Panero writes about Michele Oka Doner: The Book of Enchantment for The New Criterion's Critic's Notebook.

Michele Oka Doner: The Book of Enchantment at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Michele Oka Doner: The Book of Enchantment, currently on view at Marlborough, was featured in Surface Mag. 

Broad and High interviews Benedict Scheuer in his Columbus, Ohio studio. 

Clare Gemima interviews Benedict Scheuer on his recent show Doubt and Love for Widewalls magazine.

William Corwin reviews Tadaaki Kuwayama: 1932-2023 for The Brooklyn Rail. 

Adriana Melchor Betancourt interviews Laura Anderson Barbata for Artishock Revista magazine. 

Tadaaki Kuwayama: 1932-2023 has been named a GalleriesNow Weekender "Must See" exhibition.

Tadaaki Kuwayama: 1932-2023 at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide

The National Museum in Kraków, Poland, is hosting an exhibition on communist-era Polish art and design, showcasing a diverse collection of some 360 items from various domains of life including the work of Magdalena Abakanowicz. 

Ekin Erkan reviews Laura Anderson Barbata: Singing Leaf for The Brooklyn Rail. 

This interview was recorded at the studio of Tadaaki Kuwayama and Rakuko Naito, New York City, on 2 April 2018, undertaken as research for the exhibition Minimalism: Space. Light. Object., held at National Gallery Singapore and the ArtScience Museum, Singapore, in 2018-2019, and an extract was published in the exhibition catalogue.

Laura Anderson Barbata: Singing Leaf, currently on view at Marlborough Gallery, is reviewed in Whitehot Magazine by Kurt McVey. 

Deborah Solomon reviews Groundswell: Women of Land Art, an exhibition currently on view at the Nasher Sculpture Center, featuring the work of Alice Aycock. 

Henie Onstad Kunstsenter and Oslo National Academy of the Arts (KHIO) will host an open seminar in conjunction with the opening of the exhibition, Magdalena Abakanowicz: Every Tangle of Thread and Rope at Henie Onstad Kunstsenter (Høvikodden, Norway). 

Tom Teicholz writes about Groundswell: Women of Land Art for Forbes. 

Barry Schwabsky reviews Schema: World as Diagram for Artforum.

Hillary Louise Johnson writes about Deborah Butterfield's forthcoming exhibition at the Manetti Shrem Museum.

Ksenia M. Soboleva interviews Le'Andra LeSeur for BOMB Magazine. 

Howard Halle writes about Alice Aycock and her role as a pioneer of site-specific outdoor sculpture. 

It is with deep sadness that Marlborough announces the passing of artist Fernando Botero at ninety-one years old. We extend our heartfelt condolences to his family and friends.
 

Laura Anderson Barbata: Singing Leaf at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide

Yulia Pinkusevich is interviewed by Megan Bates of the Fine Arts Museums of San Francisco. 

Jonathan Eburne interviews Laura Anderson Barbata for ASAP Journal. 

A conversation with the Brooklyn Rail featuring Raphael Rubinstein, Heather Bause Rubinstein, Mike Cloud, Joanne Greenbaum, Hilma’s Ghost, Loren Munk, and Karla Knight, with Pareesa Pourian

Martha Schwendener reviews Schema: World as Diagram for The New York Times.

Ick Art: Why a Rising Generation of Female Sculptors Is Embracing Body Horror: These exciting young artists are turning to the gross-out genre to give form to the ambient dread of modern life.

Maya Pontone reviews the group exhibition AntiVenom at Governor's Island, which features work by Le'Andra LeSeur, for HyperAllergic

A new space for the Victor Pasmore Gallery will be launching very soon with its first exhibition, In Search of Line. 

Magdalena Abakanowicz: Textile territories, currently on view at Musée cantonal des Beaux-Arts Lausanne, is featured in e-flux. 

Support Structures, an exhibition currently on view at Gathering, London featuring work by Ivana Bašić, is reviewed in Frieze. 

Paul Stephens reviews Schema: World as Diagram for e-flux. 

Cassie Packard writes about Schema: World as Diagram for The Brooklyn Rail. 

Independent honors Magdalena Abakanowicz for what would have been her 93rd birthday. 

ARTnews honors Magdalena Abakanowicz for what would have been her 93rd birthday. 

Amanda Smith reviews Schema: World as Diagram, currently on view at Marlborough, for Musée Magazine. 

Holland Cotter reviews MoMA’s current exhibition Chosen Memories, which features work by Laura Anderson Barbata, for The New York Times. 

William Corwin writes on Lydia Dona, whose work is currently featured in Schema: World as Diagram.

Ana Fernandez Abad writes on Maggi Hambling's most recent exhibition at Galería Marlborough for El País.

Schema: World as Diagram at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Svetlana Kitto writes on Schema: World as Diagram for Artnet News. 

Alice Aycock: Works on Paper at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide

Le'Andra LeSeur is featured in the group exhibition ANTI•VENOM, organized by the Lower Manhattan Cultural Council and Allies in Arts.  

Visual Arts Resident Le’Andra LeSeur presents a new performance-based reading exploring the act of collapse, Testimony: Sketching Collapse. In this 16-minute performance, the artist will use gesture and voice to oscillate within a space contemplating past, present, and future occurrences of personal and communal collapse.

The Sam Francis Foundation celebrates the 100th anniversary of Francis’s birthday and his continued creative legacy through exhibitions, educational events, special projects, articles, and archival explorations.

Trent Morse writes about Red Grooms: The Ninth Street Women meet The Irascibles (The Monotypes) for 1stDibs.

Trent Morse writes about Red Grooms's current exhibitons at Marlborough for Introspective Magazine.

Victor Pasmore: The Final Decades at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Sophie Lee reviews In Search of the Miraculous for Cultured Mag. 

Elisa Carollo writes on Ivana Bašić for Fondazione Imago Mundi.

Laura Anderson Barbata will participate in the Simposio de Arte y Destrucción 2023 held at Museo Tamayo.

The Fondazzjoni Patrimonju Malti launches Victor Pasmore Gallery, a new website dedicated to the artist.

Lilly Wei reviews In Search of the Miraculous for Studio International.

Barbara A. MacAdam reviews In Search of the Miraculous for The Brooklyn Rail.

In Search of the Miraculous at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Marlborough is pleased to publish a digital catalogue to accompany the exhibition, In Search of the Miraculous.

Alexander Morris reviews Every Tangle of Thread and Rope in Artsy. 

The Aldrich’s Chief Curator Amy Smith-Stewart and Curatorial and Publications Manager Caitlin Monachino reflect on the five-year process of unearthing and restaging Lucy Lippard’s 1971 exhibition Twenty Six Contemporary Women Artists.

52 Artists: A Feminist Milestone, an exhibition at Aldrich Museum of Art featuring Alice Aycock, has been named a top 10 show in the of 2022 in the US by Frieze. 

The Yanomami Struggle, an exhibition presented by Fondation Cartier and The Shed, is a comprehensive exhibition dedicated to the collaboration and friendship between artist and activist Claudia Andujar and the Yanomami people. 

Marlborough Gallery has been named a Must-See Show at Art Basel Miami Beach by L'Officiel. 

Eileen Kinsella writes about Maggi Hambling at Art Basel Miami Beach for Artnet News.

David Behringer reviews Deborah Butterfield for Design Milk, currently on view at Marlborough. 

Le'Andra LeSeur was invited to give an artist lecture at Lafayette College. 

Jo Lawson-Tancred writes about the Magdalena Abakanowicz exhibition at the Tate for Artnet News.

Rachel Campbell-Johnston reviews Magdalena Abakanowicz’s exhibition at the Tate for The Times. 

Adrian Searle reviews Magdalena Abakanowicz’s exhibition at the Tate for The Guardian.  

Ben Cook reviews Magdalena Abakanowicz’s exhibition at the Tate for Evening Standard. 

Chief Art Critic Alastair Sooke reviews Magdalena Abakanowicz's exhibition at the Tate for The Telegraph. 

Magdalena Abakanowicz: Every Tangle of Thread and Rope at the Tate Modern has been named a "Need to see" exhibition by Apollo Magazine. 

The exhibition will gather approximately 65 works by Latin American artists who, over the last four decades, have been looking at history as the source material for new work. 

Peter Plagens writes about Alice Aycock's work, now on view at the Orange County Museum of Art. 

Cultured Magazine has featured A Tribute to Alex Katz on This Week In Culture. 

Deborah Butterfield at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

A Tribute to Alex Katz at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Laura Anderson Barbata's Shopano will be on view as a part of the exhibition Raphael Montañez Ortiz: Una retrospectiva contextual, on view at Museo Tamayo from October 15, 2022 through April 2, 2023. 

Laura Anderson Barbata's work is currently on view at two different venues at the 17th Istanbul Biennial.

Laura Anderson Barbata will give a talk about Activism in Latin American and Latino Arts as part of the Hispanic Heritage Month on October 13, 2022.

Kaya Genç writes about the 17th Istanbul Biennial, featuring the work of Laura Anderson Barbata.

En Liang Khong reviews Laura Anderson Barbata's work, featured in the 17th Istanbul Biennial, for ArtReview.

The Eduardo Arroyo exhibition, currently on view at Marlborough New York, has been named by Artnet News as one of ten shows not to miss this month. 

A major public exhibition in London's Regent's Park from 14 September to 13 November, featuring 19 large-scale works by artists including Beverly Pepper.

Eduardo Arroyo at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Laura Anderson Barbata has been announced as a participant in the Istanbul Biennial.

The artist has had an astonishingly long career. Now 95, he is preparing for another major retrospective.

David Behringer writes about WAVE for Design Milk, currently on view at Marlborough through September 10, 2022.

Beverly Pepper's Curvae in Curvae will be presented in Frieze Sculpture 2022 in The Regent’s Park, curated by Clare Lilley.

Isabel Ling writes about 52 Artists: A Feminist Milestone, currently on view at The Aldrich Contemporary Art Museum. 

Pepper's Stanford Columns is an iteration of an installation in Italy created specifically for the Stanford campus.

Le'Andra LeSeur will be holding a talk at Bronx Documentary Center on Friday, June 24, 2022 at 7:30pm. 

Ann Binlot writes about 52 Artists: A Feminist Milestone, the group exhibition featuring Alice Aycock, currently on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. 

Annabel Keenan writes about Alice Aycock's inclusion in the group exhibition 52 Artists: A Feminist Milestone, currently on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. 

Jason Cohen writes about Le'Andra LeSeur's recent residency with the ALL ARTS Artist in Residence for the Bronx Times. 

Anna Russell writes about Maggi Hambling's recent exhibition at Marlborough for The New Yorker. 

Juan Genovés: Reconsidered at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Maggi Hambling: Real time has been named as an exhibition to see in New York by The Art Newspaper.

Michele Oka Doner will present a new commission for The City of Miami Beach.

Ilana Novick reviews Maggi Hambling: Real time for Hyperallergic. 

Jason Rosenfeld reviews Maggi Hambling: Real time for The Brooklyn Rail. 

Alexxa Gotthardt writes about Victor Pasmore: Prints for 1stdibs. 

Max Lakin reviews Maggi Hambling: Real time for The New York Times. 

Andrew LaVallee writes about Tomás Sánchez's recent exhibition for The New York Times What’s in Our Queue?

Join artist Le’Andra LeSeur in a multimedia performance exploring liberation and spirituality in the music of the African Diaspora, featuring original choreography with music by Mama Foundation for the Arts choir and DJ MUSE(O)FIRE. 

LeAndra LeSeur's ALL ARTS Artist in Residence film debuts on Sunday, April 10, 2022 at ALL ARTS and The Shed, New York. 

A landmark international gathering focused on Indigenous topics will take place in April in honor of the first-ever Sámi Pavilion.

Maggi Hambling: Real time at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Ilka Scobie reviews Maggi Hambling's current exhibition at Marlborough for Artlyst. 

ARCAthens has awarded three new Fellowships for its 5th Virtual Residency (AVR5) hosting the cross-cultural conversation between Le’Andra LeSeur and Maria Sideri, moderated by curator Lydia Matthews. 

Magda Michalska writes about Magdalena Abakanowicz's Abakans for the DailyArt Magazine. 

Maggi Hambling: Real time has been named as an exhibition to see in celebration of International Women’s Day.

Le'Andra LeSeur's short film documenting the artist's There is no movement without rhythym will premiere on ALL ARTS TV Sunday.

ARCAthens 5th Virtual Residency (AVR5) hosts the cross-cultural conversation between Le’Andra LeSeur, Maria Sideri, and Lydia Matthews.

Le'Andra LeSeur joins Gallery Aferro this spring as an esteemed recipient of the Lynn and John Kearney Fellowship for Equity.

Tate Modern is planning an immersive exhibition of Magdalena Abakanowicz's fabric sculptures that will go on display November 2022.

Wells Fray-Smith, Assistant Curator: Special Projects at Whitechapel Gallery in London is Noah Becker's guest host for a conversation with legendary artist Maggi Hambling.

Painter and sculptor Maggi Hambling CBE discusses finding truth and compassion in the work of Francis Bacon, with Courtney J. Martin, Paul Mellon Director of the Yale Center for British Art.

For the 59th edition of the longest-running survey of contemporary art, Cecilia Alemani selected mostly female artists, many of color, from around the world.

Bethany Owings writes about Ahmed Alsoudani's exhibition at The Fabric Workshop and Museum.

Ann C. Collins speaks with Ahmed Alsoudani about his residency and exhibition at the Fabric Workshop and Museum in Philadelphia, his show this spring at Marlborough Gallery in New York, and Cut of Time, his series of small-scale works for The Brooklyn Rail. 

Juxtapoz Magazine writes about Tomás Sánchez: Inner Landscape, now extended through February 26th. 

Artnet features the exhibition Tomás Sánchez: Inner Landscape, on view at Marlborough until February 26. 

Madeline Murphy Turner (PhD Candidate at the Institute of Fine Arts, New York University and the Cisneros Institute Research Fellow at the Museum of Modern Art, New York) contributes a thoughtful essay on Tomás Sánchez's current solo exhibition with the gallery, Inner Landscape, on view now.

Maggi Hambling: Real time has been included as one of The 29 Art Exhibitions We Can’t Wait to See This Year on Vogue. 

Harmony Korine writes about Red Grooms's seminal work Ruckus Manhattan for Blau Internatonal. 

Max Lakin reviews Tomás Sánchez: Inner Landscape for The New York Times. 

Colin Gleadell writes about Maggi Hambling for The Telegraph.

Tomás Sánchez: Inner Landscape at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors’ selection of essential exhibitions worldwide.

Marlborough is pleased to announce the Brooklyn Museum's acquisition of Red Grooms' 42nd Street - Porno Bookstore from Ruckus Manhattan.

Jessica Zack interviews Gabrielle Selz, author of Light on Fire: The Art and Life of Sam Francis, published in the San Francisco Chronicle.

Kyle V. Hiller writes about Ahmed Alsoudani: Bitter Fruit for the Broad Street Review.

Le'Andra LeSeur has been named one of four finalists for the Queer|Art|Prize Recent Work award.

Grace Ebert writes for Colossal about the serene and idyllic landscapes of Tomás Sánchez.

Ahmed Alsoudani: Bitter Fruit opens on November 12, 2021 at The Fabric Workshop and Museum, Philadelphia, Pennsylvania. 

Susan L. Aberth, Edith C. Blum Professor in the Art History and Visual Culture Program at Bard College, writes on Tomás Sánchez for the exhibition catalogue. 

Lauren Moya Ford writes about Gabrielle Selz’s Light on Fire: The Art and Life of Sam Francis (University of California Press), the first comprehensive biography published on the artist. 

The Farnsworth Art Museum will hold a virtual lecture given by Dr. Judith Stein on Red Grooms.

Alex V. Cipolle writes about the Walla Walla Foundry for The New York Times, discussing Deborah Butterfield's ties to the foundry. 

Nazanin Lankarani writes about women artists, amongst them Beverly Pepper, staking their place in abstract sculpture. 

Thomas Hine writes about Ahmed Alsoudani: Bitter Fruit for The Philadelphia Inquirer. 

Marlborough is pleased to publish a digital catalog to accompany the exhibition, A Tribute to Kenneth Snelson.

Le'Andra LeSeur's commission at The Shed, There is no movement without rhythm, 2021 is featured in Shed’s Open Call Showcases City’s Emerging Visual Talents, written by Tausif Noor for The New York Times.

Marlborough is pleased to publish a digital catalog to accompany its summer group exhibition, WILD AT HEART, featuring Ahmed Alsoudani, Alice Aycock, Ivana Bašić, Chakaia Booker, Enzo Cucchi, Inka Essenhigh, Jonah Freeman & Justin Lowe, Ron Gorchov, Justen Ladda, Le’Andra LeSeur, Ran Ortner and Beverly Pepper. 

Ahmed Alsoudani at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors' selection of essential exhibitions worldwide.

Join the Menil for a live, online program with artist Alice Aycock, organized in conjunction with Dream Monuments: Drawings in the 1960s and 1970s, on view at the Menil Drawing Institute from May 21 to September 19, 2021. Aycock’s talk will include a focused discussion of her early body of works on paper depicting fictional cities, examples of which are included in the exhibition. She is joined by Dream Monuments cocurators Erica DiBenedetto and Kelly Montana for a conversation that will consider the reverberations that key themes explored in these works—stories, cities, and drawing—have had throughout her practice.

Maria Abramenko interviews Ivana Bašić for NASTY Magazine, in which they discuss negotiating the mechanics of becoming and unbecoming and speculations on post-human scenarios beyond death and singularity. 

Madeline Murphy Turner writes about artist Laura Anderson Barbata for Burlington Contemporary. 

Alice Aycock's Twister Grande (tall), 2019 is on view at the entrance of The Church, Sag Harbor, New York.

Alice Aycock is featured in the group exhibition, Dream Monuments: Drawing in the 1960s and 1970s, open from May 21 through September 19, 2021 at Menil Drawing Institute in Houston, Texas. The exhibition presents drawings that challenge the conventional idea of the monument as a permanent, grand, or commemorative form. The provisional character of drawing helped artists envision forms in improbable scales and for impossible conditions, radically transforming the monument to have a new set of sensibilities. Scaled to the size of the page but enormous in ambition, these works rethink history while rendering environments at turns as absurd, surreal, and subjective.

The Yale School of Art is pleased to announce the 2021 Photography MFA thesis exhibition, SORRY WE MISSED YOU, open to the Yale School of Art community May 10th through 16th in Green Hall Gallery. Featuring work by 2021 MFA degree candidates in Photography: Mickey Aloisio, Ronghui Chen, tarah douglas, Jackie Furtado, Max Gavrich, Nabil Harb, Dylan Hausthor, Annie Ling, Alex Nelson, and Rosemary Warren.

Alice Aycock's Untitled Cyclone, 2017 is on view in Whimsy, curated by Eric Fischl, on view through September 2021 at the Southampton Arts Center, Southampton, New York.

Donald Kuspit reviews Marlborough New York's Brassaï exhibition in the May Issue of Artforum.

 

Debra Brehmer, a writer and art historian who runs a contemporary gallery called Portrait Society in Milwaukee, Wisconsin, writes about Beverly Pepper's monumental legacy for Hyperallergic. 

Red Grooms at Marlborough New York is currently featured on ArtForum’s “Must-See Shows” list, their editors' selection of essential exhibitions worldwide.

Le'Andra LeSeur's installation at the 2021 Atlanta Biennal is featured in Care In Its Extensive Form: 2021 Atlanta Biennial, written by Rebecca Brantley for Burnaway Magazine.

Marlborough is pleased to publish a catalog to accompany its spring exhibition of Bill Brandt, entitled Perspective of Nudes. Composed of 35 photographs, the exhibition explores Brandt’s longitudinal study of the nude feminine form between 1945-1979. The accompanying gallery publication features an essay by Martina Droth, Deputy Director and Chief Curator at the Yale Center for British Art, and Paul Messier, Head of the Lens Media Lab at the Institute for the Preservation of Cultural Heritage at Yale University.

Le'Andra LeSeur's installation at the 2021 Atlanta Biennial is featured in Other Hues of Blue: A Pandemic-Era Biennial in Atlanta, written by Tenley Bick for NEW ART examiner.

Alexander Nemerov writes about Yulia Pinkusevich's exhibition Isorithm. 

Join Storm King on Wednesday, February, 24th, at 6pm EST for a virtual conversation with artists Gabriela Salazar and Alice Aycock, part of a special series celebrating the power of art and nature. The artists will discuss how ideas about space, construction, and memory manifest in their varied practices.
 

Ivana Basic is featured in INCORPOREA #3, a year-long choral exhibition set up as to develop and transform itself over time, and aimed at investigating the body in all its folds and meanings: the body as a revolutionary space, of antagonism and freedom, expression and research, self-definition and power, identity and gender. The exhibition is on view from February 18 through March 13, 2021 at Basement Roma, Rome, Italy.

Le'Andra LeSeur's installation at the 2021 Atlanta Biennal is featured in 2020 reverberates at this year’s Atlanta Biennial exhibition, written by Rosalind Bentley for The Atlanta Journal-Constitution.

The Fabric Workshop and Museum in Philadelphia has invited contemporary artist Ahmed Alsoudani to create new work using experimental materials and techniques. This internationally acclaimed Artist-in-Residence Program hosts emerging and established regional, national, and international artists who have a demonstrated commitment to innovation and exploration. To that end, The Fabric Workshop and Museum supports artistic experimentation in a wide range of mediums by providing honorariums and materials to artists, employing its facilities and staff to address their creative needs.

In this interview, Mexican-born, Brooklyn-based artist Laura Anderson Barbata highlights the importance of reciprocity and shared knowledge in her community-based, trans-disciplinary practice.

Marlborough New York's Brassaï exhibition is featured in The Art Newspaper's three exhibitions to see in New York this weekend: from Eugene Von Bruenchenhein’s rapturous paintings to Brassaï’s Parisian underground.

Ivana Bašić featured in Wonderful post-anthropocentric creatures: For a deconstruction of contemporary aesthetic policy by Alessandra Ioalè, published on isit.online Magazine.

Magdalena Grabowska and Marta Kowalewska from the Magdalena Abakanowciz Foundation sat down with Dobromiła Błaszczyk to discuss the late artist and her studio, entered on the list of Warsaw Historic Art Studios.

Marlborough is pleased to publish a catalog to accompany its winter exhibition of Brassaï. This exhibition will be the first time in nearly forty years that Marlborough will showcase Brassaï’s photography. Anne Wilkes Tucker, author of Brassaï: The Eye of Paris (Museum of Fine Arts Houston, 1999), has contributed a new essay for a fully illustrated publication that will accompany the exhibition.

Eleanor Nairne writes about Maggi Hambling's controversial sculpture of Mary Wollstonecraft for The New York Times.

Nina Mdivani reviews Magdalena Abakanowicz and Anselm Kiefer for ArteFuse

Ivana Bašić's work is featured in The Body Electric, a major multidisciplinary exhibition that examines humans’ ever-changing relationship with technology and the inescapable interface between our bodies and screens

Ivana Bašić inaugurates a new column for FlashArt Magazine entitled Letter From the City, writing about months of isolation, the insectile universe and the genesis of the new work, and featuring the voices of Clarice Lispector, Reza Negarestani, Steven Shaviro, James Baldwin and Oscar Wilde.

Marlborough is pleased to publish a fully illustrated catalog to accompany its autumn 2020 exhibitions.

The exhibition of Alice Aycock consisting consists of six monumental sculptures from the artist's acclaimed 'Turbulences' series takes place from June 7 - September 27, 2020 at Royal Djurgården in Stockholm, Sweden. It is the first to be organised by the Princess Estelle Cultural Foundation, and the artist’s first solo show in Scandinavia. 

During the pandemic, Laura Anderson Barbata, an artist who makes her own costumes for shows, got busy making masks. 

Barbara Rose writes a tribute to Beverly Pepper for The Brooklyn Rail.

Beverly Pepper, who has died aged 97, was the first to use Cor-ten steel (which weathers attractively outdoors) in art, before more famous male peers such as Donald Judd and Richard Serra. She employed these industrial materials on a range of scales, from vast land art projects to delicate, plinth-based sculpture.

Acclaimed Polish artist Magdalena Abkanowicz will be celebrated in a now postponed major retrospective at Tate Modern. Before that, one of her distinctive textile sculptures comes to auction in London.

Beverly Pepper, an acclaimed American sculptor whose work was suffused with a quicksilver lightness that belied its gargantuan scale, died on Wednesday at her home in Todi, Italy.  She was 97. 

Beverly Pepper, the sculptor of mammoth artworks who refused to be tied to any groups or circles, died on Wednesday in Todi, Italy, at the age of 97.

Art critic Tabish Khan brings you ‘The Top Art Exhibitions to see in London,’ which includes Magdalena Abakanowicz's Corporeal Materiality, on view at Marlborough London. 

Ahead of a major solo show at Tate Modern, Marlborough Gallery shows a selection of works by Magdalena Abakanowicz. 

Le'Andra LeSeur is featured in The MAC’s visually rich ‘Cosmic to Corporeal’ explores sexuality, identity, written by Darryl Ratcliff for The Dallas Morning News.

Magdalena Abakanowicz's Yellow Abakan, 1967-1968 is featured in Taking a Thread for a Walk at the Museum of Modern Art, New York. The exhibition is a part of the new MoMA's Opening Season, Fall 2019.

Alice Aycock's retrospective Selected Works 1971-2019 takes place from June 8 - August 25, 2019 at the Sprengel Museum in Hannover, Germany.

Le'Andra LeSeur speaks with Anabel Pasarow of Refinery29 in honor of her selection as an #EmbraceAmbition Series Speaker.

At the request of the Mexican government and after a relentless campaign led by artist Laura Anderson Barbata, Pastrana’s body was returned to Mexican state of Sinaloa.

The International Sculpture Center presented artists Alice Aycock and Betye Saar with the 27th Annual Lifetime Achievement in Contemporary Sculpture Award on April 18th, 2018 at Tribeca Rooftop in New York City. It was here that friends, family, and members of the arts community came together to celebrate the lives and exemplary careers of Alice Aycock and Betye Saar at this gala event.

Maggi Hambling is featured in the Vogue article Singular Visions: Meet Seven Of Britain's Best Female Artists.

Siwin Lo of The Brooklyn Rail reviews Marlborough Gallery’s current Alice Aycock exhibition, featuring The Turbulence Series, the New York-based artist's large, swirling, white aluminum sculptures that evoke the powerful, kinetic churning hurricanes and tornados.

The atrium under the central oculus of the McMurtry Building offers distinctive sculptural seating and entrance to the Coulter Art Gallery.

The Wall Street International discusses Maggi Hambling's 2015 exhibition held the Cultural Institute at King’s College London, War Requiem & Aftermath. 

Julia Pastrana's return home from a locked storage room in an Oslo research institute would not have been possible without the nearly decade-long efforts of the New York-based visual artist Laura Anderson Barbata.