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WILD AT HEART

Ahmed Alsoudani, Alice Aycock, Ivana Bašić, Chakaia Booker, Enzo Cucchi, Inka Essenhigh, Jonah Freeman & Justin Lowe, Ron Gorchov, Justen Ladda, Le’Andra LeSeur, Ran Ortner, Beverly Pepper

July 14 – September 11, 2021

Installation Views Thumbnails
Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Installation View. Photo: Pierre Le Hors.

Selected Works

Selected Works Thumbnails
Ahmed Alsoudani

Pit, 2016

acrylic, charcoal, and colored pencil on canvas

77 x 175 in. / 195.6 x 444.5 cm

Ahmed Alsoudani

Pit, 2016

acrylic, charcoal, and colored pencil on canvas

77 x 175 in. / 195.6 x 444.5 cm

Alice Aycock

Wavy Enneper, 2011

fiberglass, aluminum, and acrylic, edition of 3 + 1AP

84 x 116 3/8 x 102 in. / 213.4 x 295.7 x 259.1 cm

Alice Aycock

Wavy Enneper, 2011

fiberglass, aluminum, and acrylic, edition of 3 + 1AP

84 x 116 3/8 x 102 in. / 213.4 x 295.7 x 259.1 cm

Ivana Bašić
I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#2), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić
I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#2), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić

I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#3), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić

I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#3), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #1, 2019

breath, glass, stainless steel, torque

12 x 30 x 5 in. / 30.5 x 76.2 x 12.7 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #1, 2019

breath, glass, stainless steel, torque

12 x 30 x 5 in. / 30.5 x 76.2 x 12.7 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #2, 2019

breath, glass, stainless steel, torque

50 x 9 x 6 in. / 127 x 22.9 x 15.2 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #2, 2019

breath, glass, stainless steel, torque

50 x 9 x 6 in. / 127 x 22.9 x 15.2 cm

Chakaia Booker

Just a Minute, 2005

rubber tire and wood, unique

23 x 29 x 20 in. / 81.3 x 73.7 x 50.8 cm

Chakaia Booker

Just a Minute, 2005

rubber tire and wood, unique

23 x 29 x 20 in. / 81.3 x 73.7 x 50.8 cm

Chakaia Booker
YES, 2006

rubber tire and wood, unique

28 x 33 x 17 in. / 71.1 x 83.8 x 43.2 cm

Chakaia Booker
YES, 2006

rubber tire and wood, unique

28 x 33 x 17 in. / 71.1 x 83.8 x 43.2 cm

Enzo Cucchi

Untitled (Italy), 1988

iron on iron stretcher

114 1/8 x 175 1/4 in. / 290 x 445 cm

Enzo Cucchi

Untitled (Italy), 1988

iron on iron stretcher

114 1/8 x 175 1/4 in. / 290 x 445 cm

Inka Essenhigh

Dawns Early Light, 2019

enamel on canvas

40 x 50 in. / 101.6 x 127 cm

Inka Essenhigh

Dawns Early Light, 2019

enamel on canvas

40 x 50 in. / 101.6 x 127 cm

Inka Essenhigh
Forms from Deep Underground, 2014

oil on linen

54 x 64 in. / 137.2 x 162.6 cm

Inka Essenhigh
Forms from Deep Underground, 2014

oil on linen

54 x 64 in. / 137.2 x 162.6 cm

Jonah Freeman & Justin Lowe

The Real Estate Odyssey, 2011

custom pigment print, edition of 5

43 x 34 3/8 in. / 109.2 x 87.3 cm

Jonah Freeman & Justin Lowe

The Real Estate Odyssey, 2011

custom pigment print, edition of 5

43 x 34 3/8 in. / 109.2 x 87.3 cm

Justen Ladda
Human Animal, 1981

acrylic on canvas and luan

65 x 98 in. / 165.1 x 248.9 cm

Justen Ladda
Human Animal, 1981

acrylic on canvas and luan

65 x 98 in. / 165.1 x 248.9 cm

Le'Andra LeSeur

Breathing, 2021

durational performance and reading for 10 Consecutive Days, each unique

portfolio box of original writing/documentation on rag paper

Image:
Build Day 51610 (For Aiyana), 2018 
Durational performance performed as part of the project brown, carmine, and blue, 2018
Image: Joshua Solas.

Performance dates:
Opening Day
Wednesday, July 14th, 5pm-6pm

Monday, July 19th, 3pm-5pm
Tuesday, July 20th, 2pm-4pm
Wednesday, July 21st, 1pm-3pm
Thursday, July 22nd, 12pm-2pm
Friday, July 23rd, 11am-1pm

Monday, July 26th, 12pm-2pm
Tuesday, July 27th, 2pm-4pm
Wednesday, July 28th, 11am-1pm
Thursday, July 29th, 1pm-3pm
Friday, July 30th, 3pm-5pm

Le'Andra LeSeur

Breathing, 2021

durational performance and reading for 10 Consecutive Days, each unique

portfolio box of original writing/documentation on rag paper

Image:
Build Day 51610 (For Aiyana), 2018 
Durational performance performed as part of the project brown, carmine, and blue, 2018
Image: Joshua Solas.

Performance dates:
Opening Day
Wednesday, July 14th, 5pm-6pm

Monday, July 19th, 3pm-5pm
Tuesday, July 20th, 2pm-4pm
Wednesday, July 21st, 1pm-3pm
Thursday, July 22nd, 12pm-2pm
Friday, July 23rd, 11am-1pm

Monday, July 26th, 12pm-2pm
Tuesday, July 27th, 2pm-4pm
Wednesday, July 28th, 11am-1pm
Thursday, July 29th, 1pm-3pm
Friday, July 30th, 3pm-5pm

Le'Andra LeSeur

between me and the rest of the land…, 2021

cinder block monolith and sound piece, unique
97 x 16 x 20 in. / 246.4 x 40.6 x 50.8 cm

Le'Andra LeSeur

between me and the rest of the land…, 2021

cinder block monolith and sound piece, unique
97 x 16 x 20 in. / 246.4 x 40.6 x 50.8 cm

Le'Andra LeSeur

I bled until I freed myself (still from Maybe rainbows do exist at night), 2021

lamda pigment print, edition of 6 + 1AP

50 x 60 in. / 127 x 152.5 cm

Le'Andra LeSeur

I bled until I freed myself (still from Maybe rainbows do exist at night), 2021

lamda pigment print, edition of 6 + 1AP

50 x 60 in. / 127 x 152.5 cm

Beverly Pepper

Curved Presence, 2012

Cor-Ten steel, edition of 3

91 5/8 x 125 x 58 in. / 232.7 x 317.5 x 147.3 cm

Beverly Pepper

Curved Presence, 2012

Cor-Ten steel, edition of 3

91 5/8 x 125 x 58 in. / 232.7 x 317.5 x 147.3 cm

Ahmed Alsoudani

Pit, 2016

acrylic, charcoal, and colored pencil on canvas

77 x 175 in. / 195.6 x 444.5 cm

Ahmed Alsoudani

Pit, 2016

acrylic, charcoal, and colored pencil on canvas

77 x 175 in. / 195.6 x 444.5 cm

Alice Aycock

Wavy Enneper, 2011

fiberglass, aluminum, and acrylic, edition of 3 + 1AP

84 x 116 3/8 x 102 in. / 213.4 x 295.7 x 259.1 cm

Alice Aycock

Wavy Enneper, 2011

fiberglass, aluminum, and acrylic, edition of 3 + 1AP

84 x 116 3/8 x 102 in. / 213.4 x 295.7 x 259.1 cm

Ivana Bašić
I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#2), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić
I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#2), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić

I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#3), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić

I too had thousands of blinking cilia, while my belly, new and made for the ground was being reborn | Position III (#3), 2020

wax, bronze, breath, blown glass, oil paint, stainless steel, pressure
50 x 12 x 16 in. / 127 x 30.5 x 40.6 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #1, 2019

breath, glass, stainless steel, torque

12 x 30 x 5 in. / 30.5 x 76.2 x 12.7 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #1, 2019

breath, glass, stainless steel, torque

12 x 30 x 5 in. / 30.5 x 76.2 x 12.7 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #2, 2019

breath, glass, stainless steel, torque

50 x 9 x 6 in. / 127 x 22.9 x 15.2 cm

Ivana Bašić
Breath seeps through her tightly closed mouth | Position II: Swelling #2, 2019

breath, glass, stainless steel, torque

50 x 9 x 6 in. / 127 x 22.9 x 15.2 cm

Chakaia Booker

Just a Minute, 2005

rubber tire and wood, unique

23 x 29 x 20 in. / 81.3 x 73.7 x 50.8 cm

Chakaia Booker

Just a Minute, 2005

rubber tire and wood, unique

23 x 29 x 20 in. / 81.3 x 73.7 x 50.8 cm

Chakaia Booker
YES, 2006

rubber tire and wood, unique

28 x 33 x 17 in. / 71.1 x 83.8 x 43.2 cm

Chakaia Booker
YES, 2006

rubber tire and wood, unique

28 x 33 x 17 in. / 71.1 x 83.8 x 43.2 cm

Enzo Cucchi

Untitled (Italy), 1988

iron on iron stretcher

114 1/8 x 175 1/4 in. / 290 x 445 cm

Enzo Cucchi

Untitled (Italy), 1988

iron on iron stretcher

114 1/8 x 175 1/4 in. / 290 x 445 cm

Inka Essenhigh

Dawns Early Light, 2019

enamel on canvas

40 x 50 in. / 101.6 x 127 cm

Inka Essenhigh

Dawns Early Light, 2019

enamel on canvas

40 x 50 in. / 101.6 x 127 cm

Inka Essenhigh
Forms from Deep Underground, 2014

oil on linen

54 x 64 in. / 137.2 x 162.6 cm

Inka Essenhigh
Forms from Deep Underground, 2014

oil on linen

54 x 64 in. / 137.2 x 162.6 cm

Jonah Freeman & Justin Lowe

The Real Estate Odyssey, 2011

custom pigment print, edition of 5

43 x 34 3/8 in. / 109.2 x 87.3 cm

Jonah Freeman & Justin Lowe

The Real Estate Odyssey, 2011

custom pigment print, edition of 5

43 x 34 3/8 in. / 109.2 x 87.3 cm

Justen Ladda
Human Animal, 1981

acrylic on canvas and luan

65 x 98 in. / 165.1 x 248.9 cm

Justen Ladda
Human Animal, 1981

acrylic on canvas and luan

65 x 98 in. / 165.1 x 248.9 cm

Le'Andra LeSeur

Breathing, 2021

durational performance and reading for 10 Consecutive Days, each unique

portfolio box of original writing/documentation on rag paper

Image:
Build Day 51610 (For Aiyana), 2018 
Durational performance performed as part of the project brown, carmine, and blue, 2018
Image: Joshua Solas.

Performance dates:
Opening Day
Wednesday, July 14th, 5pm-6pm

Monday, July 19th, 3pm-5pm
Tuesday, July 20th, 2pm-4pm
Wednesday, July 21st, 1pm-3pm
Thursday, July 22nd, 12pm-2pm
Friday, July 23rd, 11am-1pm

Monday, July 26th, 12pm-2pm
Tuesday, July 27th, 2pm-4pm
Wednesday, July 28th, 11am-1pm
Thursday, July 29th, 1pm-3pm
Friday, July 30th, 3pm-5pm

Le'Andra LeSeur

Breathing, 2021

durational performance and reading for 10 Consecutive Days, each unique

portfolio box of original writing/documentation on rag paper

Image:
Build Day 51610 (For Aiyana), 2018 
Durational performance performed as part of the project brown, carmine, and blue, 2018
Image: Joshua Solas.

Performance dates:
Opening Day
Wednesday, July 14th, 5pm-6pm

Monday, July 19th, 3pm-5pm
Tuesday, July 20th, 2pm-4pm
Wednesday, July 21st, 1pm-3pm
Thursday, July 22nd, 12pm-2pm
Friday, July 23rd, 11am-1pm

Monday, July 26th, 12pm-2pm
Tuesday, July 27th, 2pm-4pm
Wednesday, July 28th, 11am-1pm
Thursday, July 29th, 1pm-3pm
Friday, July 30th, 3pm-5pm

Le'Andra LeSeur

between me and the rest of the land…, 2021

cinder block monolith and sound piece, unique
97 x 16 x 20 in. / 246.4 x 40.6 x 50.8 cm

Le'Andra LeSeur

between me and the rest of the land…, 2021

cinder block monolith and sound piece, unique
97 x 16 x 20 in. / 246.4 x 40.6 x 50.8 cm

Le'Andra LeSeur

I bled until I freed myself (still from Maybe rainbows do exist at night), 2021

lamda pigment print, edition of 6 + 1AP

50 x 60 in. / 127 x 152.5 cm

Le'Andra LeSeur

I bled until I freed myself (still from Maybe rainbows do exist at night), 2021

lamda pigment print, edition of 6 + 1AP

50 x 60 in. / 127 x 152.5 cm

Beverly Pepper

Curved Presence, 2012

Cor-Ten steel, edition of 3

91 5/8 x 125 x 58 in. / 232.7 x 317.5 x 147.3 cm

Beverly Pepper

Curved Presence, 2012

Cor-Ten steel, edition of 3

91 5/8 x 125 x 58 in. / 232.7 x 317.5 x 147.3 cm

About

Hypnosis is a way to connect with the subconscious rather than the conscious mind. The mind accepts what the subconscious creates, however bizarre. Among these artists there is a common thread of a relentless, even myopic, focus on work so personal that its intrinsic value is much greater for the artist than for the audience. Their bond lies in their obsessiveness, idiosyncrasy, and disregard for the mainstream.

Following a period of repressed travel and social contact due to COVID-19, the gallery is acknowledging a surging desire to “re-engage.” For the summer months, Marlborough New York is pleased to present an interpretive exhibition embracing a number of interpretations of physical and mental engagement.


Le’Andra LeSeur Performance Schedule

Opening Performance
Wednesday, July 14 5PM-6PM

Monday, July 19 3PM–5PM

Tuesday, July 20 2PM–4PM

Wednesday, July 21 1PM–3PM

Thursday, July 22 12PM–2PM

Friday, July 23 11AM-1PM
 

Monday, July 26 12PM–2PM

Tuesday, July 27 2PM–4PM

Wednesday, July 28 11AM–1PM

Thursday, July 29 1PM–3PM

Friday, July 30 3PM-5PM

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